Discover our professional range of vocal stage microphones, designed to deliver clear, powerful, and reliable sound for live performances and spoken word applications. From dynamic handheld mics built to withstand the rigours of touring and stage use, to high-sensitivity condenser models and discreet head-worn options, we offer solutions for every vocalist, presenter, and performer.
Our collection includes robust dynamic vocal microphones ideal for lead and backing vocals, super-cardioid models that isolate the voice from stage noise and sweat-resistant head-worn and lavalier microphones that provide hands-free freedom. Many feature convenient on/off switches and tailored frequency responses for excellent speech intelligibility and vocal presence.
These stage microphones and vocal mics integrate seamlessly with public address (PA) systems, mixing consoles, and installed sound setups. They are widely used in theatres, music venues, schools and universities, conference centres, hotels, houses of worship, corporate events, and live entertainment spaces. Whether for a rock band on stage, a presenter in a conference hall, a fitness instructor in a gym, or a choir performance, our vocal stage mics ensure your voice cuts through clearly and professionally.
Built for durability and consistent performance, these microphones combine outstanding audio quality with practical features that make them perfect for both occasional events and demanding 24/7 commercial installations.
Explore high-quality handheld vocal microphones, headset mics, lavalier stage mics and condenser vocal mics to elevate your live sound and spoken audio experiences. If you have any queries, please get in touch – we’d be delighted to hear from you.
It is a performance microphone for live singing or spoken word — usually a handheld but there are headset and lavalier options for hands-free use, usually in conjunction with a wireless beltpack transmitter as part of a wireless mic system. Typical used in theatres, music venues, schools, conferences, hotels, worship spaces and corporate events. A wired mic usually plugs into a mixer or PA.
Dynamic handhelds are tough, handle loud singers and do not need phantom power — the usual choice for bands and general stage speech. Condenser vocal mics are more detailed and sensitive, good for presenters and quieter singers, but they need phantom power and more care with feedback.
Cardioid picks up from the front and rejects some of the stage behind the mic. Supercardioid is tighter still, which helps when monitors or loudspeakers are nearby, but the singer must stay on axis. Omnidirectional lavaliers suit speech when the head turns a lot but they are more prone to feedback on a loud stage.
Not always. A switch is useful for speeches and schools so the mic is not live between items. Singers often prefer no switch so it cannot be muted by mistake. Either type still needs a cable and a mixer input with enough gain.
A paging mic is a desk station with press-to-talk and often zone buttons for building announcements. A vocal stage mic is for performance or presentation into a mixer. You can plug a handheld into a PA, but it will not give zone select or a paging chime.
Dynamic handhelds generally do not. Condenser handhelds, many headsets and lavaliers do (typically 48 V from the mixer). Check the product page before you assume a spare mixer channel will work.
Commercial Audio Solutions stocks handheld, headset and lavalier vocal mics from brands such as Shure, Sennheiser, AKG, JTS, TOA and Bosch. Call 01663 767888 or email sales@commercialaudiosolutions.com with the intended use and whether you need wired dynamic, condenser or a headset.
